It's been pointed out to me that I really need to write more about my thoughts on distribution royalties. With luck I may have some time this evening; until then people will have to settle for an old essay I've recently dug out of my "incomplete" file, Forward to the Past, and the following brief notes:
The problem of electronic distribution of copyrighted material, which is currently causing so much bad blood between Web users and file-sharers on the one hand and the music and film industries on the other hand, is a solved problem, and has been for ninety years! That's when ASCAP was founded, to collect those royalties.
( not all that brief: look behind the cut-tag for details )
So Joe Pirate sharing files full blast on his cable connection is roughly the equivalent of a radio station with an audience of 100. Yes, I know that there's a difference: Joe Pirate lets everyone in his "audience" pick the songs they download, while a radio station, even if it takes requests, sends the same songs to everyone in its audience. That's probably what frightens the big record companies: people can choose the music they're getting rather than having their choices made for them.
Anyway, that's the short version. Comments welcome -- especially on the numbers, which I haven't checked recently.
The problem of electronic distribution of copyrighted material, which is currently causing so much bad blood between Web users and file-sharers on the one hand and the music and film industries on the other hand, is a solved problem, and has been for ninety years! That's when ASCAP was founded, to collect those royalties.
( not all that brief: look behind the cut-tag for details )
So Joe Pirate sharing files full blast on his cable connection is roughly the equivalent of a radio station with an audience of 100. Yes, I know that there's a difference: Joe Pirate lets everyone in his "audience" pick the songs they download, while a radio station, even if it takes requests, sends the same songs to everyone in its audience. That's probably what frightens the big record companies: people can choose the music they're getting rather than having their choices made for them.
Anyway, that's the short version. Comments welcome -- especially on the numbers, which I haven't checked recently.