River: Crosstalk
2008-08-26 07:58 amThis is the third of a series of three River posts about communication and conversation: the first was "Talking long distance", and the second was "Talking with you" I'm afraid my mindspace has been rather taken up recently with things like New Song Energy and getting ready for ConChord, so these are coming out a lot more slowly than I originally intended. Onward!
The last couple of days, a lot of my time has disappeared into watching old CSI episodes with Colleen (she's borrowing the DVDs from our younger daughter). Colleen can get things done while watching TV. I can't.
If there is anything at all with words anywhere in my auditory or visual environment, I will pay attention to it. If there are more than just one thing involving words, my attention will get split at random. I can't multitask.
In particular, I can't divide my attention between reading, listening, writing, talking, and thinking. And I have to think for a moment before I either write or speak.
The only thing that reliably blocks words coming into my ears is reading; if I'm reading something -- a book or a computer screen -- I will not hear you talking! I can't ignore anything else.
This is a phenomenon that
cflute calls "crosstalk". As you
can see from the start of the Wikipedia article, it's
an accurate description of it:
In electronics, the term crosstalk (XT) refers to any phenomenon by which a signal transmitted on one circuit or channel of a transmission system creates an undesired effect in another circuit or channel.
I only have one channel for processing words. It's used for reading, understanding speech, writing, talking, and thinking. I think mainly in words -- it's called subvocalization.
I believe I've mentioned a couple of times that I have to compose what I'm saying before I say or write it. I subvocalize when I'm doing this, and I also subvocalize when I'm reading, which makes it hard to skim. Basically, if I'm hearing or reading words, I won't be able to hear the internal voice that I use to compose words. Literally, I can't think. I discovered, quite recently, that even talking to myself blocks thinking; I always used to talk to myself when I was out walking. It was always pretty aimless.
I've been writing more songs recently, and I'm pretty sure that this is, at least in part, due to the fact that I've learned to shut up and listen to my muse instead of my own voice. I've also learned to turn the radio off in the car: I can think in the car because driving in familiar territory is almost entirely a matter of visual and kinesthetic input, and those don't interfere with the verbal channel. (If I don't have all the landmarks memorized, I'll need to read a map or talk to a navigator. That is verbal.)
In electronics, crosstalk can be prevented by shielding. I don't have any shields. Whatever's coming in on the highest bandwdith channel -- visual or audio, in that order -- is going to dominate my attention. I can turn my eyes away from a book or computer, but I can't turn off my ears.
I've already written about my difficulty carrying on a conversation if there are distractions. If I concentrate, I can usually manage to carry on a conversation with one or two people in a noisy party, but my attention is sure to be caught now and then by a snippet of another conversation; I'll miss things, and sometimes stop in the middle of a sentence or even a song. And it's hard. At some point it's easier for me to leave in search of someplace quiet. Even with only a half-dozen people in our living room on a Wednesday night, an animated conversation can easily drive me into the office, especially if it's on a topic I'm not interested in. They'll still have fun without me, and you know where to find me if you want quiet talk about geekery or music.
Similarly, conversation blocks writing. I really enjoy having a laptop in the living room where I can talk with Colleen, but I can't use it for writing anything more than very short LJ comments or email replies: conversation blocks the channel I use for writing. I can use IM, but I'm going to respond a lot more slowly than I would in a quiet environment.
Crosstalk comes into play whenever there are multiple inputs. I noticed
this with
cflute on our recent trip to Seattle: we were
engaged in a particularly tricky and strenuous bit of carpet-moving, and
when more than one person was talking Callie would raise her hand and wait
for silence when she wanted to say something. It didn't always work,
because we mostly had our eyes on the carpet, but it seems like a good
strategy when you do have eye contact. A loud "Excuse me" might
work when you don't. The equivalent in a filk circle is hitting a loud
chord on the guitar, or standing up to sing a cappella.
To summarize: read / listen / write / talk / think. Pick exactly one.